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Pressman Sunlight - Shadow art fine flirting Entry of the Earl of Manchester into the Lawndale Constance Ossolinska Lubienska Simonetta Vespucci -45- Monedero, Angel Lizcano The Maharajah Duleep Singh existentialism Adrian The Moneychanger -detail- dry Antwerp Sonderjylland Helen Allingham,RWS Capriccio- The Horses of San Marco in th Coast scene,Brighton Odalisque avec esclave -32- Morrisonville The Andirondak Guide Bronwood The Emigrants The Return -13- The Council of the Gods -05- Okawville Older Kneeling Mago An Oasis in the Badlands Monarch of The Glen Madonna in Glory and Saints Hush - The Rich Old Man from the Parable food life still Sugargrove Henry IV, King of France in Armour F Paysage a Gezbe -32- Barbara and Hans Schellenberger df Two Lovers -nn04- Laboucherebay The Aegean Sea Chatterton
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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