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Portrait of Robert Arnauld d-Andilly lkh Self-Portrait in the Artist-s Studio The Mount House from the Rear Modling Voyage of Life Manhood The nude female in front of green hangin Chrnobyl Poppies near Argenteuil -06- Braquaval Louis MICHELI Parrasio Sophie Anderson Norman Milkmaid La jolla,n.d. Orlandi, Deodato Reclining Nude Uppergrandlagoon A voat passing a lock Simontonlake The Pic-Nic -13- Walthourville A Pork-Butcher-s Shop Seen from a Window Kemijarvi Konrad of Soest Desoto Benjamin C.Brown View through the trees in the Park of Pi Murano, Andrea da dissertation abstract international Roseville Woman Reading FLORIS, Frans Madonna and Child Enthroned with SS.Cath Disputation with Simon Magus photo factory A Scene on the Ice Femme fellah egyptienne -32- Daugavpils image and chef Adoration of the Christ The Village- September Morning
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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