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The Path of forest St Augustine in his Study -36- photo shop tutorial The World Upside Down Ortiz, Francisco Pradilla The Artillerymen Pierre Aymeric The Holy Family Jacumba Dancer Standing behind a Stage Prop Magdalene Three Musician Babkesir Prairiegrove Portrait of General John A. Sutter Malle Babbe,die Hex von Harrlem shoes stretcher Beata Beatrix Perspective view Standing Model-Blue Academy -35- The Three Philosophers dh Ernest Arthur Rowe Nude on a Sofa Study of a Female Face Portrait of Ippolito de Medici Putti fighting a mock battle The Absinthe Drinker Aluksne foreskin stretcher Tuzla Bijelo Polje Tamara and the Demon Mary Magdalen df The Snowstorm Sopchoppy Interior of a Tavern with Violin Player The Lagoon with Boats, Gondolas, and Raf Oiltrough Spain Apples Beneath a Tree
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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