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The Annunciation Illustration for The Sunday Husbands From Droback -nn02- Laguna Larose The Gingerbread House fineart Portrait of the Artist with a Friend -05 Ships on a Calm Sea near Land abstract expressionism selected spirit w Costume Pour une Fete Orientale Huile su The Four Continents The Lamentation over the Dead Christ st The Children of John Angerstein John Jul Verkundigung Portrait of the Artist with a Thistle Hugh Lane Bequest La belle Ferronire dg Self-portrait as the Apostle Paul -33- Catherine I in life movement still Antibes Seen from the Notre Dame Plateau A Family Group in a Landscape The Girls on the Bridge Portrait of an Elderly Lady Monette Allegory of Arts asta Corpus Christi Day The Executioner Presents John the Bapist Happy Day-The Dance of Albion -19- The Fable of Arachne The Miracle of Christ Healing the Blind Laura Alma-Tadema -23- Whitehall Stairs on June 18, 1817 Halt of the Brigands Hoffman animals The Presentation of the Virgin dfgf photo bucket The Bridge of Trois-Sautets
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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