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heel high shoes stretcher Homewood The Repentant St Mary Magdalene dfr Walnutgrove Bar Room jean Huber Sabile The Copper Cistern KEIRINCKX, Alexander Czech Republic Model Miracle of the Relic of the Holy Cross j A Difference of Opinion The Discovery of the Wood of the True Cr The American School Saint Sebastian Cooper-Hewitt, National Design Museum Rest on the Flight into Egypt with Saint Nude -39- Reclining Nude Adoration of the Christ Child with St.Ba Berghe, Christoffel van den Slana Madonna de Padiglionel The Vintagers Akhiok Middleburg Islamorada The Romans of the Decadence landscape memory Mountpulaski Springville ideal image landscape urban The Young David Home Sweet Home Regents of the Old Men-s Almshouse sg Prince and hermit La Princesse lointaine Portrait of Giuliano de-Medici
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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