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Napa The Denial of St Peter dfg Portrait of a Woman -39- Young Girl at the Piano Girls Putting Flowers in their Hats Harbour Scene gf Kentucky On the Balcony Barbara Bodichon Konin Falsepass Broughton horizon of trees 27September 1821 Pallas and the Centaur landscape mapping social scenery hill pa real estate Piero del Pollaiolo,Justice The Parsonage Garden at Nuenen with Pond Comtesse Tessin age Cobh Children Playing before a Hercules Group Life on the Prairie-The Buffalo Hunt Denison Modele se deshabillant Juliette Courbet Portrait of Count Georg von Lowenstein a Recreation by our Gallery A Violinist Charles Robert Leslie Portrait of Ippolito de Medici Apache Medicine Song -43- Girl with Guitar Uniontown MAN, Cornelis de Bandirma Lapalma Absinthe Pau de Wandelaer Cornfield by Moonlight Giuseppe Bazzani
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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