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Junik Portrait of Gilbert Marcellin Desboutin Beheading of St John the Baptist agf Nature mort a la Bouteille de Peppermint Reddick Charlestown Thomas Waterman Wood The Mill Stream Helena Fourment with her Son Francis Fair Rosamund The Virgin with the Rabit -05- The Child Enthroned The Wedding Morning Waggoner The boat in the park Landscape with St George -25- Stilleben mit Cupido The White Horse r The Denial of St Peter dfg Thomson Family Portrait ert The Abduction of Ganymede Mystic Natitity -36- The Magpie Fruitville Panama-Pacific International Exposition, Greenacrescity The Calling of Saint Matthew -detail- gf Jean - Baptiste Carpeaux Brown eyes and a Blue Flower Temple in Palestine -nn02- Belknap St Jerome in Penitence Stamps barn wood picture frame Renaissance art Alyonkarahisar View of a Park Francis Macnab Mortlake terrace-early summer morning
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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