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The Bridge of Moret Westlittleriver Village House sf abstract tree Theophile Alexandre Steinlen The Wait -san11- The Three Rhine Maidens Village Feast dfg Still life with a Basket of Vegetables - Zalau Portrait of the Artist with a Friend The Nativity of Cardinal Jean Rolin -08- Allegory of Justice -05- DARET, Jacques frame personalized picture wood Saint Sebastien secouru par les anges St Augustine in his Study The Seller of Fans The Uncertainty of the Poet -nn03- Maria Baroncelli with Her Daughter Lady with a Harp-Eliza Ridgely Lady with Her Maidservant Holding a Lett Orchard -20- Adoration of the Lamb -detail- Christ on the Lake of Gennesaret Entry of the Earl of Manchester into the Ninilchik Rockledge Pula animal name Romeo and Juliet The Piazzetta Looking towards the Torre The Young Man and the Procuress -05- Sermon on the Mount and Healing of the L Chattanoogavalley Several Window rJesus Falls under the Weight of the Cro custom wood picture frame Lynnhaven Crucifixion
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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