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Giangiorgio Trissino Paolo Veronese Thatched Cottages in Cordeville -nn04- Golovin Viana do Castelo Study for The Flight of Night Flowers and Fruit on a Table Death of the Virgin Rue Saint Denis, 30th June 1878 Erich Heckel Indian Raven Jacob-s Dream Keswick,Lake The Harsh and The Pearly Tavares Olsztyn Breakfast in the Loggia Portrait of Felicitas Seiler Macbeth and the Three Witches The Hound one tree hill icon A Doubtful Handshake Starry Night Tower Winter Landscape Surrender of Breda In the Time of Constantine -23- Still Life wtih Basket of Strawberries Shore Scene- Sunset View of a River with Rowing Boats The Mirror Madonna and Child The Purification of the Temple -05- cathedral Rose of Sharon Merson, Luc-Olivier Reclining Semi-nude White Sixteen-valve 4 Bouquet de Fleurs Diverses St Antony Reading 21
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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