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Portrait of a Woman -detail- dfg55 Study of a Dog Forest form china John La Farge The Adoration of the Magi fg Kurt Schwitters The City -nn02 A Kitchen still life of utensils and fru The Concert Singer The Fonteghetto della Farina Walk on the Beach Chessboard The Cloth Shop King Clotaire I Commissioning St.Eligius Venus and Cupid with a Honeycomb dfg Yellow City -12- The Holy Family,known as the Great Holy The Dead Christ Supported by an Angel r The Demon Cast Down Russian Winter Madeleine in the Bois d-Amour The Mystic Marriage of St Catherine -08- Parnassus or Apollo and the Muses foot stretcher A Beggar Woman Pulpit Cows in the Water Archduke Leopold Wilhelm-s Gallery at Br Olive Grove-Orange Sky -nn04- Deercreek Portrait of Chancellor Seguier The Woman of spanish had on a shawl red Christ and St.John with Angels Adriadne Abandoned on the Island of Naxo Idyll Seneca Details of Martyrdom of St.Matthew abstract font Pinted for The Life of Christ -nn01-
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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