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Ask Me No More -23- Coming from Evening Church Bathers with Red Cow Sharafuddin Yazdi photo The Scout - Friends or Enemies The Little Girl from Nice bradford new oil painting york Cortemadera Reclining Nude with Loose Hair -38- A Modern Olympia Shepherdess Reflections Autumn Ballsh Connecticut Landscape Daniel Boone Study for The Icebergs art fine impressionistic The Transfiguration artist of oil canvas General Herkimer Directing the Battle of Pomona Sleeping Child e Bathsheba dg stretched cunts Justus Suttermans The Annunciation and the Visitation d The Graham Children Judenburg Poppies near Argenteuil -06- Edvard Munch Cerrogordo Stained Glass Window The Meeting -Bonjour, Monsieur Courbet- La cathedrale de Mantes -11- The Predestined Child Czech Republic Edward Ashton Goodes Portrait of Dr. Johannes Cuspinian -deta
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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