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The Church of St.Jacques at Dieppe -san0 The Procession of Bacchus split Rain of Ash from Vesuvius The Martyrdom of St Catherine sg Improvisation 31 Louis Leopold Boilly The Mystic Marriage of St Catherine dfg Griffithville Christmas Procession at S.Maria Maggiore Joseph Crawhall Oortrait du cardinal Astalli -Pamphilj- Mrs Daniel Sargent Jacob-s Meeting with Rachel MAUPERCHe, Henri The Molo and the Riva degli Schiavoni fr Portrait of Countess Vera Zubova Mardi Gras Westport Waterfront Rogersville The Assumption of the Virgin Democritus -05- Ruins of Ancient Rome af The Washerwomen The Prophet Elisha er La Reddition de Breda -Les Lances- -df02 View of the Bridge at Sevres and Saint-C Madonna and Child with Yarn Winder Balaam-s Ass A white house in the landscape John Vanderlyn Death of the Virgin Greenwood Vleughels Nicolas The Lawn Theodore Chasseriau Venetian Festival basket stretcher Ruins of the Theater at Taormina -Sicily For to be a Farmer-s Boy
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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