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The wheatfield Mount Hood, Oregon The Holy Family Rests on the Fight into Winfield Imperial painting reproductions Mt Washington La Grande Pieta Ronde -05- Queen Marie Amelie Woman Holding a Balance The Last Judgment Triptych Madonna with the Infant Christ and St Jo Guitar winebottle and cup St Jerome af Herminia and Vafrino Tending the Wounded The spanish woman in the green Apotheosis of Henry IV -05- The Poet Roquebrune Breaks his Garter FETI, Domenico Portrait of M.Philibert Riviere Reverend Jonas Coe Digger-s Wedding in Melbourne Moonlight and Light Portrait of a Lady in Blue 5 Daleville i and Half-sick of shadows said the Lady Lodovico Capponi The Four Evangelists The Holy Family in a Landscape -05- Landscape with House in the Grove Saints Michael and Francis Sketch for A Mermaid Portrait of Denes BAnffy Three People An Old Man and his Grandson Las Meninas L-Angelus Assumption of the Virgin,details with Ev Recreation by our Gallery BROEDERLAM, Melchior
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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