|
Sophia Hedwig, Countess of Nassau Dietz, Woman in a Garden -nn02- THe Arrival of a Coach -05- Portrait de Sisley Peridot bed frame queen wood The Card-Players -08- Desotolakes Portrait of a Musician Earlville Saturn Devouring One of His Chidren The Miracle of the Loaves and Fishes af Snowdon from Llyn Nantlle Capari San Cristoforo, San Michele & Murano manufacture Qazax In Bruges,The Sint-Janshospitaal Young Man Beside the Sea 1 Bernardino Fungai ASAM, Cosmas Damian Enclosed Field With Ploughman Evening Northvernon A Halt in the Wilderness -43- Portrait of a Condottiere -Jacopo Marcel Lakepark California landscape New England Landscape Madonna and Child The Last Judgement -detail- hu Interior in the Rue des Moulins Grand Canal, Looking Northeast from Pala The Adoration of the Golden Calf Robert Andrews and his Wife Frances The Painter and his Pug River Scene af art clip image Madonna and Child Dante-s Vision of Rachel and Leah -28- |
|
Vladimir Tatlin:
1885-1953,Ukrainian sculptor and painter. After a visit to Paris (1914), he became the leader of a group of Moscow artists who sought to apply engineering techniques to sculpture construction, a movement that developed into Constructivism. He pioneered the use of iron, glass, wood, and wire in nonrepresentational constructions. His Monument to the Third International, commissioned by the Soviet government, was one of the first buildings conceived entirely in abstract terms and was intended to be, at more than 1,300 ft (400 m), the world's tallest structure. A model was exhibited at the 1920 Soviet Congress, but the government disapproved of nonfigurative art and it was never built. After 1933 Tatlin worked largely as a stage designer.
|
