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Still Life of Musical Instruments -14- Parnassus or Apollo and the Muses -detai Jan Toorop Paying Homage to the Teacher on a Holida The Holy Family with St Anne and the You View of the Kremlin Peasant Woman at the Spinning Wheel -nn0 The Bathers environmentally Adoration of the Virgin St.Michael Centralia wall frame Westmont Seated Choirboy Knox Bethune Hatfield Sir Nathaniel and Lady Caroline Curzon Madonna of the Star Homage to Delacroix Nenana Southwestranches Palmer Port-en-Bessin Harem Pool Death of Sophonisba g Ecce Homo djg Stonehenge. Roger and Angelica The Autumnal Woods Portrait of a Lady at The Pineapple -35- A landscape with young boys tending thei Saint Casilda Pierre Pater The Elder The Woman with Gambling Mania -05- Woman with a Dog_y Nursing Madonna Sunshine and Showers- At Home in Killarn
Marsden Hartley:
1877-1943 Marsden Hartley (January 4, 1877 - September 2, 1943) was an American Modernist painter and poet in the early 20th century. Hartley was born in Lewiston, Maine, USA. He began his art training at the Cleveland Institute of Art after moving to Cleveland, Ohio in 1892. At the age of 22, he moved to New York City, where he attended the National Academy of Design and studied painting at the Art Students League of New York under William Merritt Chase. A great admirer of Albert Pinkham Ryder, Hartley would visit Ryder's studio in Greenwich Village as often as possible. While in New York, he came to the attention of Alfred Stieglitz and became associated with Stieglitz' 291 Gallery Group. Hartley had his first major exhibition at the 291 Gallery in 1909 and another in 1912. He was in the cultural vanguard, in the same milieu as Gertrude Stein, Hart Crane, Charles Demuth, Georgia O'Keeffe, Fernand Leger, Ezra Pound, among many others. Hartley, who was gay, painted Portrait of a German Officer (1914), which was an ode to Karl von Freyburg, a Prussian lieutenant of whom he became enamored before von Freyburg's death in World War I.








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