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Flemish Market and Washing Place sg Perseus and andromeda The Church at Moret-Icy Weather Advertisement for Atwater Kent Radio Harriet Powers Comrat service animal Fight Between a Tiger and a Bull Dupont George Tirrell Oak Trees Allegory Thomaston Eleanor Darnall Alfred Jacob Miller The Coronation of the Doge dfg Fra Bartolomeo,Portrait of Girolame Savo Wilsonville The Last of the Clan Holy Family with the Infant St John the Penelope Hyannis The Rest on the Flight into Egypt 2 The Virgin and Child with St. George and The Dream of St.Martin Teh Battle of San Romano The Pink Dress -06- The Rest on the Flight into Egypt Details of The Rehearsal Keelman Heaving in Coals by Night Pacific Grove Shortlime Kupreanof Longpre, Paul De Lucretia Stabbing Herself Cristofano dell-Altissimo,Portrait of Ma The Peasant Dance fdg Christian Friedrich Gille Dante Gabriel Rossetti Fighting Temeraire Tugged to Her Last Be Leda and the Swan
Aristide Maillol:
1861-1944 Banyuls-sur-Mer,was a French Catalan sculptor and painter. Maillol was born in Banyuls-sur-Mer, Roussillon. He decided at an early age to become a painter, and moved to Paris in 1881 to study art. After several applications, his enrollment in the Ecole des Beaux-Arts was accepted in 1885, and he studied there under Jean-Leon Gerome and Alexandre Cabanel. His early paintings show the influence of his contemporaries Pierre Puvis de Chavannes and Paul Gauguin. Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up tapestry design. In 1893 Maillol opened a tapestry workshop in Banyuls, producing works whose high technical and esthetic quality gained him recognition for renewing this art form in France. He began making small terra cotta sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry. The subject of nearly all of Maillol's mature work is the naked female body, treated with a classical emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of Henry Moore and Alberto Giacometti, and his serene classicism set a standard for European (and American) figure sculpture until the end of World War II. His important public commissions include a 1912 commission for a monument to Cezanne, as well as numerous war memorials commissioned after World War I. He died in Banyuls at the age of eighty-three, in an automobile accident.








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