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Mercury and Argos A Horse-drawn cart with a traveller on f Velazquez et la Famille royale ou Les Me Lady Standing at a Virginal -detail- wer heel high shoes stretcher BEHAM, Hans Sebald Landscape with Church and Village The Council of the Gods -05- The Gleaners Woman with Lilacs HALS, Dirck Louis Joseph Anthonissen The Last Judgement Triptych Norman Prophetstown Twilight among the Mountains Napolean on the Battlefield of Eylau on Cloud Study Epiphany heavy duty San Sebastian Coast Scene with the Rape of Europa -25- Queensland Museum Corporate The Last Supper -detail- sg The Mystic Marriage of St Catherine af St Francis dfgd Red and Gold L Eminence grise The Tempting Prospect Brunswick The Presentation at the Temple Marsden Hartley Water Serpents II -20- Family Group in a Landscape -detail- Abu l Faraj al Isfahani going Datails of Musical Company -33- Hercules and Omphale -08- St.George and the Dragon Boy with a Basket of Fruit f
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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