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master of fine arts Tree Trunks with Ivy -nn04- Lear, Edward Matteson Study of a Tree Self Portrait Frederick william watts BOCCACCINO, Camillo Weaver,Seen from the Front -nn04- Woman Holding a Balance Nebocenter At the Theatre Woman with Parasol Turkish Woman with a Tambourine One Window The Peale Family Marguerite Moreno Battle of San Romano -08- Dufy Raoul Maurice, Comte de Saxe, Marshal of Franc Portrait of Ari Redon Rachel Hiding the Idols from her Father Girl and Watering Can Madonna and Child with Saints The Judgment of Paris Waterfall with Castle Built on the Rock Scout View Across Frenchman s Bay from Mt.Dese A Morning Viw of Blue Hill Village Little Bridge,Village of Savinskaya,Stud The Washerwoman -09- Margaretha Tulp abstract context expressionism internati Virginiagardens Madonna with Child -39- The Ex-Voto of 1662 Eavesdropper with a Scolding Woman Room of the Giants -nn03- Jean Baptiste Camille Corot Frederick Walker,ARA,RWS
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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