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Antonis Mor Blueeye RAFFAELLO Sanzio DADDI, Bernardo A Visit to Aesculapius St.Catherine of Alexandria and an Evange Lavonia Brisbane Crucifixion with the Penitent Magdalene Portrait of Giovanna Tornabuoni -nn03- Frans Snyders Details of The Bayeux Tapestry News Vendor on Broadway industriale life still The Triumph of Faith fs art can fine inspiration technique tin Agostina Thomaston Tulip Field Girl with Flowers Sts Christopher and Anthony dfg George IV when Prince of Wales -25- A Game of Billiards Wallis Henry Deas Charles The Annunciation Birds and a Spaniel in a Garden sf Mercury and Paris deere john landscape Amity Margaret, Duchess of Parma Banquet of the Officers of the St George The Red Cart shadow carving Wiltonmanors Floris van Dijck paris hilton britney spears photo Portrait d-une femme a sa toilette The Siene at La Grande Jatte Portrait of Mrs.Thomas Goulding
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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