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Summer Night First Rain George Earle The Spinner, Goat-Girl from the Auvergne Rachel Hiding the Idols from her Father Pawpaw View of Calcutta from Garden House Road Calais Khalkis Skyvalley shrinker stretcher Portrait of a Young Woman 02 Head of a Young Man g Hafiz i Abru Portrait of Two Sisters Jean Broc Sleeping Cupid Donovan John Boultbee jean-baptiste greuze Ulcinj The Martyrdom of St. philip Harvest at La Crau Marble Table Kudirkos-Naumiestis De Vos van Steenwijk St Gregory and St Jerome John Reinhard Weguelin Trials of Christ The Ambassadors -detail- s San Cristoforo, San Michele & Murano St Casilda of Burgos Portrait of a Woman Holding a Balance Landscape with Peasants The Hunter-s Return canvas paint The Bus Joseph and Potiphar-s Wife Self-portrait with His Family in Front o Primavera
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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