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The Death of General Wolfe The Forum seen from the Farnese Gardens Crete In Grey Crucifixion THe Oath of the Horatii A cottage in a cornfield Still Life with Game Joseph Stella Sunday Afternoon on the Island of La Gra portraits painting The Maryrdom of St.Cecilia Girl Peeling Vegetables Stuart The little Girl hold a duck ornament The Reading Room at the Chateau de Malro Still-life with Fruits Il Ridotto -The Foyer- dgh Ophelia -09- JONES, Thomas Portrait of Constantijn Huygens Promise of Spring Trinity with Mary Magdalene,St john the View of Arles with Trees in Blossom -nn0 Orange Oneida Woonsocket Summer Lake of thte Four Cantons -nn02- Apollo and Daphne Toward the Sunlight Cfolonel Frederick Burnaby -nn01- Endymion Porter The girl wore cap A Soul Brought to Heaven -26- Ostroleka Cincinati Montclair Ebro Sir Hubert von Herkomer,RA,RWS
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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