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Clayhatchee SAN DIEGO MUSEUM of ART The Muses -09- Hodges indonesian Albert Besnard Ystad Supper at the House of Burgomaster Rocko Self-Portrait -nn04- Cart With red and White Ox -nn04- Lady Writing a Letter with Her Maid ar Stained-Glass Window Girl with Flowers Pieta with donor The Little Peasant in Blue Montmartre-s Studio The Yellow House The Holy Trinity, St Jerome and Two Sain Portrait of a young Man St.Ives with Godrevy Lighthouse Bourbon Nude in an Armchair -35- Isles of Shoals at Dusk Calais sands,low water -31- Serravalle Three Horses in A stable,Feeding From a The Death of St Joseph -san 05- Young Girls at the Piano Girls Under Trees Mountain Landscape The Library Details of Madonna and Child with Angels art famous oil painting reproduction abstract art more more terrifying this w Setting Sun at Ivry Countess A A Chernysheva -san 05- Poppies Mrs Elizabeth Freake and Baby Mary The Toilette is China
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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