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Spring-inundation Miracle of the Desecrated Host -Scene 3- Two Tahitian Women with Mango The Toilette Woman Combing Her Hair The Rape of the Daughter of Leucippus -0 Farmers Nooning Elberfeld Portratit of William Molard -07- MIGNARD, Pierre Windmill by a Stream -25- Fairbanks A Mere Fracture Of Animality Madonna Zingarella Modonna and Child with Saint Elizabeth a The Normandy Cider Press Esther before Abasuerus -01- Barend van Orley Dance Le massacre de Boston Winter -05- The Italian Woman Taylor Still Life with Flowers Portrait of Lorenzo the Magnificent Autumnal Sunset Boyntonbeach Mrs Richard Brinsley Sheridan SNYDERS, Frans l-Assassinat de Marat Waterfall in a Mountainous Northern Land Hagar and Ismael in the Widerness Morning in the Riesengebirge -10- Hampstead Heath,sun setting over Harrow Arion Matthaus Gunther Antoine Sebastien Plamondon Sylvanshores Fordyce Regattas at Molesey
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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