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The Wreck f the Iron Crown Paul Guillaume -39- The Beggars gf Debreste Stanislaw Ignacy Witkiewicz Yankeetown picture plane The Monkey aaa Bovill Saint Peter and Saint Paul -nn03- Ploiesti Conway Castle,Moonrise -37- Two Men at a Table Vase with Twelve Sunflowers Orinda Brook Parrot in Three Positions copy Skierniewice Study for Venus Verticordia -28- A Lady Affixing a Pennant to a Knight-s Daltongardens Woman Seated Under the Willows Simultaneous Windows Virgin and Child Surrounded by Angels df A Young Woman in a Shawl What The Album art blakey jazz messenger Juan Correa de Vivar The Toilet of Bathsheba Summer Nightmute Portrait of Jacopo Sansovino Vanity af book illustrations Chicken Vendors f architectural abstraction Donovan Joking Couple
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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