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Deer in a Monastery Garden Benjamin Marshall A Pair of Shoes -nn04- Sudhureyri View on the Stour,Dedham Church in the d Adoration of the Child -detail- sf A Wood Auction -nn04- Madame Cezanne in a Yellow Armchair dvd reproduction The Banquet of Esther and Ahasuerus esrt Abraham Hendrickz van Beyeren Landscape at Saint-Remy Peaches df The Pipelighter The Transfer of the Holy House of Loreto St John the Evangelist in Patmos d The Flight into Egypt ffdf Tellcity Domenico Ghirlandaio Endymion Porter Henry Leonidas Rolfe Portrait of Charles Garnier Landgrave Friedrich of Hessen-Eschwege South Portland New York Rubidoux Blanchet, Louis-Gabriel At the Palmist-s Self-Portrait with Small Monkey Madonna and Child Enthroned with Four An Diego Velazquez Cresswell Crags Portage Falls on the Genesee Landscape study,cottage and rainbow Self Portrait A Group,with Portraits of the Artist s C Domenico Ghirlandaio,The Calling of the The Grand Canal Venice Impression Figure of Landscape Still Life with Quinces
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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