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Deposition from the Cross fgu Mary Magdalene Glencoe Portrait of Ginevra de- Benci sg Joseph Pembauer -20- Love as Conqueror Waynesville Peach Tree in Bloom Self-Portrait with Monkey The Music -Sketch- -35- Detail of Pieta The Finding of Don Juan by Haidee Federico zandomeneghi Vecchietta Woman Peeling Apples Persac Marie Adrien Still Life with Dead Pheasant and Huntin Madonna and Child Sullivan Les Derniers moments d-une epouse cherie St.George The Christian Martyrs Last Prayer Orpen, Willam La Mousme,Sitting -nn04- The Card Players MIJN, George van der this page use frame The Bark of Dante Dead Christ Supported by Two Angels -Pie The Healing of the Madman -detail- fdg Marsden Hartley Jewett, William Smith RUBENS, Pieter Pauwel Miamigardens-utopia-carver Young Woman Sewing reproduction ancient art Marissa abstract woman oak framed garage The Choice of a Model
Frida Kahlo:
1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.








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