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stage setting and scenery Landscape with Jacob and Laban -17- Mona Lisa -La Gioconda- sdg Dancer with Bouquet Modoc Chicago Art Museum Henry IV at the Battle of Ivry Regatta on the Canale Grande metropolitan museum Bulb Fields -nn04- Flatford Lock 1810-12 La Belle Jandiniere -05- Romulas, Conqueror of Acron Pine Trees with Figure in the Garden of abstract expressionism The Duo -08- The man at the coffee room A Scene from Russian Life Vranie MAES, Nicolaes Trip preparation Captain The Artist-s Garden at Eragny An Iron Forge Viewed from Without johnwilliam waterhouse,R.A. Santaynez Ophelia The Raising of the Cross flower oil painting ecology landscape The Shipwreck The Presentation in the Temple and The F The See-Saw Hunters in a Forest easy Whitewater Exhibition of a Rhinoceros at Venice BREKELENKAM, Quiringh van fierce creature View of the Jungle Ferry Jungleterry in
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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