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Return of the Prodigal Son klgh Course De Chevaux A Longchamp Childhood of Christ Siegfried and the Rhine Maidens Art Restoration abstract art square wall Neighbor-s Farm Francesco di Giorgio Martini Procession of the Magus Melchoir The White Cloud Elche Baller -The Star- -09- Madonna and Child with Saints gw Houses in Auvers Brrmingham Mendota Lute Player5 Madonna of the Meadow -detail- ibk The Young Ladies of the Village forty-two kids -nn03- Landscape w-Animals Poussin Charity -26- Portrait of Retired Major General Karl A Self Portrait 1 The Stampede urban abstract Female Nude in the Bathtub -09- The Window van gogh bio Evje A Young Prince on Horseback landscape luminous shade Pinevalley Bensenville The Sweater of Plaid Ranchosantamargarita Spring Plowing Nardo di Cione
Thornton Oakley:
an illustrator,American , 1881-1953 was an American artist and illustrator. Thornton Oakley was born March 27,1881, in Pittsburgh. He studied at the University of Pennsylvania and received B.S. and M.S. degrees in architecture in 1901 and 1902. He first studied with Howard Pyle in 1902 at Chadds Ford in the mill, and described his first day there in a talk given at the Free Library in Philadelphia in 1951: "There we four - my new cronies - Allen Tupper True, George Harding, Gordon McCouch and I - made our first sketches from a model, and our efforts were frightful to behold! Not one of us had had a palette in our hands ever before: I had not the least idea as to procedure. My attempts were terrifying to behold, and when H.P. came to me to criticize my work he paused for a long, long time before speaking, and I know that he must have been appalled." Oakley studied with Pyle for three years. Oakley became an illustrator and writer for periodicals, including Scribner's, Century, Collier's, and Harper's Monthly. In the years 1914-19 and 1921-36 he was in charge of the Department of Illustration at the Philadelphia Museum School of Industrial Art. In 1914-15 he also taught drawing at the University of Pennsylvania, and gave lectures at the Art Institute of Chicago, the Metropolitan Museum of Art, and the Curtis Institute. He was a member of the jury of selection and advisory committee of the Department of Fine Arts at the Panama-Pacific International Exposition in San Francisco in 1915 and the Philadelphia Sesquicentennial Exposition in 1926.








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