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Girls Amongst Trees Mayo pussy stretcher Cabbage patch near the village Lady Blessingham-s Dog Agency Job Berckhyde Home Fields -18- The Cross and the World Solomon Prince Maurits, Stadhouder g The Lion of St Mark -detail- dsf Lakevilla Scala dei Giganti f Susanna at he Bath Water Lily Pool,Harmony in Pink MOLENAER, Jan Miense The Three Ages of Man and Death NOVELLI, Pietro Portrait de joachim Gasquet Dog Guarding Game near a Rosebush stretcher toe yoga van gogh sunflower The Visitation -detail- Assumption of the Virgin Springville Scene from Manfred carpet power stretcher 2007 calendar monet wall William Glackens Enchanted Isle The Graham Children The Education of Achilles Scenes from the Legend of Saint Augustin Marco Palmezzano Peasant Watching her Cows at Barbizon The Third of May 1808 Portrait of Julius II William John Hennessy Loznica
Tack Augustus Vincent:
A painter of portraits, murals and abstractions. American, 1870-1949 American, 1870-1949, was an American painter of portraits, landscapes and abstractions. He was born in Pittsburgh, Pennsylvania in 1870 and moved with his family to New York in 1883. After graduating from St. Francis Xavier College in New York City in 1890, Tack studied at the Art Students League of New York until 1895. He is believed to have frequented the studio of painter and stained glass designer John La Farge, whose portrait he painted around 1900. He had his first solo exhibition at the Kraushaar Galleries in New York City in 1896. The following year he moved to an artists?? colony in Deerfield, Massachusetts, where he met and later married Agnes Gordon Fuller, daughter of artist George Fuller. Tack maintained a studio in New York from 1894 until the end of his life. He had frequent exhibitions at New York City galleries. From 1900 until the 1920s his work was shown regularly at the Worcester Art Museum, at the Carnegie International exhibitions in Pittsburgh, and at the Pennsylvania Academy of the Fine Arts in Philadelphia. He taught at the Art Students League of New York between 1906 and 1910 and at Yale University from 1910 to 1913. About 1914 to 1915 his work attracted the notice of Duncan Phillips, who became his close friend and chief patron. Phillips and Tack also collaborated on the organization of the Allied War Salon of 1918. Tack died in 1949 in New York City.








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