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matb Picture Frames The Virgin of Chancellor Rolin Resurrection of Christ 668 San Zaccaria Altarpiece Blakesburg The conversation Madonna with Child and Saints Saint Catherine a DUMOUSTIER, Pierre Osbert, Alphonse The Miraculous Rescue of St Placidus Johann Christian Fischer dg abstract art basic expressionism s THe boatman of mortefontaine contractor designer landscape Camppoint St Augustine and St Gregory assignment gogh van The Kitchen Maid -08- St Jerome and the Lion dsf Crucifixion 210 Miranda, Juan Carreno de Nude with a Hat -recto- The Abduction of Ganymede The Dance of life Posthumous Portrait of Margueite Landuyt PYNACKER, Adam Portrait of Nicolaas van Bambeeck dg Aptos BASSA, Arnaldo Losgatos Mooresville Intoxicated guests Naldini, Giovanni Battista The Blue Closet -28- Lanesville The Toilet Prophet Micheas JUANES, Juan de Tamerlane leading the assault of the cas
Stettheimer Florine:
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside








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