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Wearing the Coif of The Spain Woman Immaculate Conception sg Mary of the Annunciation Lapwai Le port de Bougie en Algerie Still-life with Fruits Centralcity Portrait of Evangelista Scappi Venus and Mars The Tbree Graces -01- Family Group in a Landscape -detail- Apparition The Shore at Dosseringen -09- Giorgione The Coronation of Marie de Medici master of St-Germain-des-Pres Avenue du Bois from Some Scenes of Paris Les trs riches heures du Duc de Berry- M Details of The Three Stages of Life,with wood frame home The Poetry of Moonlight Monterey Park Capriccio with Venetian Motifs df Design Lily Approaching Storm TINTORETTO, Jacopo Madonna and CHild Jacob and Rachel sf View at Dolce Acqua with the Borgho Anti The Abduction of Ganymede -08- By the Treasury Jeanne d Arc ecoutant les voix Self-Portrait Andermatt unfinished wood picture frame Nykebing monet exhibit Acropolis Joseph Being Sold by His Brothers
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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