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Charles d-Amboise R a frame house plan Krems Ulysses and the Sirens -41- Venus with Satyr and Cupid Nucla Windmill, Dangast The rape of Ganymede -33- Self-Portrait While Engraving Jasper Rosiclare Vigilius Erichsen Young Woman Sewing in the Garden The Meeting of St Erasmus and St Maurice The Entry of the Crusaders into Constant The Gathering of the Manna s Le Printemps -Spring- The Return of Persephone The Hulsenbeck Children matting L-atelier -11- The Virgin and Child in a Garland of Flo Pharoah-s Army Marching The Triumph of Aurelian Fascination of Nature Dancer at the Photographer's Mardi Gras KAUFFMANN, Angelica Advertisement for Atwater Kent Radio Haymaking Leova Portrait of the Dutchess of Alba The Loge R Writing on the Sand -28- Soldiers Resting at the Front The Holy Family with Saints and the Mast Monterey Dunes -42- Floral Still Life Weiner Frieseke, Frederick Carl
Ignacio Zuloaga:
Spanish Painter, 1870-1945 was a Spanish Basque painter, born in Eibar, in the Basque country, near the monastery of Loyola. He was the son of metalworker and damascener Placido Zuloaga and grandson of the organizer and director of the royal armoury in Madrid. In his youth, he drew and worked in his father's workshop. He was educated by the Jesuits in France. His father wanted him to be an architect, and with this objective in mind, he was sent to Rome, where he immediately followed the strong impulse that led him to painting. After only six months' work he completed his first picture, which was exhibited at the Paris Salon of 1890. Continuing his studies in Paris, where he lived for five years, he was strongly influenced by Paul Gauguin and Henri de Toulouse-Lautrec. Only upon returning to his native land did he find his true style, which is based on the national Spanish tradition embodied in the work of Diego Velazquez, Francisco de Zurbaran, El Greco, and Francisco Goya. Bleeding Christ; or Blood Christ (El cristo de la Sangre) (1911)His own country was slow in acknowledging the young artist whose strong, decorative and rugged style stood in opposition to the styles of well-known modern Spanish artists such as Fortuny, Madrazo,








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