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Martin, Henri The Raising of the Cross -01- John wharlton bunney Double Portrait of the Mennonite Preache london Primavera Peasants at the Market Lilacs Cesvaine camenca Pont Marie a Paris The Drinker and the Smoker Moses Saved from the Waters of the Nile Swink Merry Company gf Jean Francois de troy Le Lac d-Annecy The Blessed Damozel -28- Mr and Mrs William Hallett -The Morning St Francis Receives the Stigmata g Bamborough Castle,Northumberland Stormy Religious Panel Realistic Red Roses The Calm Sea The Nativity with Saints Francis and Law The Archangel Leaving the Family of Tobi Realistic Violet Water Lily Dancer with Bouquet Man in Armour Coat-of-Arms of Anthony of Burgundy df Still Life of Flowers in a Vase on a Mar Riders on the Beach Three Studies of a Lady with a Hat Katerini The Fortuneteller Tavern of the Crescent Moon g Liveoak Pieta Edmund M.Ashe An Allegory -08-
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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