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At the Beach -40- Robert Whale Catherine I The Annunciation essential reproduction The Golden Hour -23- The Stigmata of St.Francis Portrait of Philip II af The Artist s Daughters with a Cat St Peter Freed from Prison dh theo van gogh Adoration of the Lamb -detail- Amasya Yatama The popular dancer of oversea cruise Autumn Sky about Valleys and Mountains Evangelista Scappi dh Gauguin-s Chair La Trappistine -nn03- Simpson Portrait of a Musician The Ghent Altar Erasmus f Apse fresco dh The Stealing of the Dead Body of St Mark art chinese Yellow Roses in Garden Three woman bathing predella The Card-Players sg Christ and the Woman of Samaria Young Woman Seated-The Thought- monet a retrospective Dream of Solomon dh Caseyville Fortbenningsouth John Coats Browne abstraction data design object structure Norcross The Courtyard of a House in Delft
Orozco, Jose Clemente:
Mexican, 1883-1949 Mexican mural painter. When he lost his left hand at age 17, he abandoned architectural studies for painting, pursuing Mexican themes. As a caricaturist for a revolutionary paper, he explored Mexico City's slums and painted a series of watercolours, House of Tears, on the lives of prostitutes. The reaction of moralists forced him to flee to the U.S. in 1917, but in 1919 the new government of Álvaro Obreg??n welcomed him back, and he joined Diego Rivera and David Alfaro Siqueiros in creating large-scale murals for public buildings, in which he continued his radical social commentary. Again forced to abandon Mexico in 1927, he worked until 1934 in the U.S., where his style evolved and matured in murals from coast to coast. In 1934, his international reputation firmly established, he returned to Mexico and embarked on his most technically impressive and emotionally expressive murals, including Catharsis (1934),








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