Steve Art Gallery LLC, USA.


 
BACK

This artist is not available now.

Nude Woman Combing her Hair The Raising of the Cross -05- My First Sermon The Familly -12- Disputation of St Stephen fdg After the Meal -san03- St Onuphrius sdgs The Visitation. The Holy Family dfffg details The Raft of the Medusa -10- Lady Writing a Letter with Her Maid -det Albacete Bankers Table St. Ulrich Port The Muses in the Sacred Wood -19- abstract white The Machine at Marly Study for the Head of Apollo in The Forg Ville d'Avray The Pond and the Cabassud Alleluia The Arch of Octavius Bathsheba Receiving David-s Letter Still Life with Mushrooms and Butterflie Pleasantgrove Madwoman Winter Teton The Breakfast The Scream Inwood The Coronation of the Virgin, detail- Je Alonso Vazquez Landscape with Mountains Saints Michael and Francis Portrait of Charles Crowle Bla III Founding the Cistercian Monaster Fronarna Salomon-The misses Salomon- Blountstown Eastmoline
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








  BACK

Hang Your Painting On Wall Now!(Without Frame)   Buy Framed Oil Painting   Email