Oil On Canvas, Real Flavor of Old Masters

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Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.

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Jacob van Ruisdael Landscape with a View of Haarlem oil painting artist


Jacob van Ruisdael Landscape with a View of Haarlem oil painting artist

Landscape with a View of Haarlem
Painting ID::  10233
Jacob van Ruisdael21.jpg
 
1670Oil on canvas 52 x 65 cm Staatliche Museen, Berlin

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Jacob van Ruisdael Village at Winter at Moonlight oil painting artist


Jacob van Ruisdael Village at Winter at Moonlight oil painting artist

Village at Winter at Moonlight
Painting ID::  10234
Jacob van Ruisdael22.jpg
 
Oil on canvas 36 x 32 cm Staatsgalerie, Schleissheim

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Jacob van Ruisdael The Shore at Egmond-an-Zee oil painting artist


Jacob van Ruisdael The Shore at Egmond-an-Zee oil painting artist

The Shore at Egmond-an-Zee
Painting ID::  10235
Jacob van Ruisdael23.jpg
 
1675Oil on canvas 53 x 66 cm National Gallery, London

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Jacob van Ruisdael Sunrise in a Wood oil painting artist


Jacob van Ruisdael Sunrise in a Wood oil painting artist

Sunrise in a Wood
Painting ID::  10236
Jacob van Ruisdael24.jpg
 
1670Oil on canvas 90 x 77 cm

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Jacob van Ruisdael Waterfall with Castle  Built on the Rock oil painting artist


Jacob van Ruisdael Waterfall with Castle  Built on the Rock oil painting artist

Waterfall with Castle Built on the Rock
Painting ID::  10237
Jacob van Ruisdael25.jpg
 
1665Oil on canvas, 100 x 86 cm Herzog Anton Ulrich-Museum, Braunschweig

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