Oil On Canvas, Real Flavor of Old Masters

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British 1836-1893 Atkinson Grimshaw Gallery Grimshaw's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His "paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene." Dulce Domum (1855), on whose reverse Grimshaw wrote, "mostly painted under great difficulties," captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement. On Hampstead Hill is considered one of Grimshaw's finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons. His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson ?? pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson's poems.) In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that "I considered myself the inventor of Nocturnes until I saw Grimmy's moonlit pictures."[9] Unlike Whistler's Impressionistic night scenes, however, Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry." Some artists of Grimshaw's period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career. Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw's work, with several important exhibits of his canon.

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Atkinson Grimshaw Liverpool Quay by Moonlight oil painting artist


Atkinson Grimshaw Liverpool Quay by Moonlight oil painting artist

Liverpool Quay by Moonlight
Painting ID::  1843
Atkinson Grimshaw1.jpg
 
1887 240.16" x 359.84" Private collection

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Atkinson Grimshaw Nightfall Down the Thames oil painting artist


Atkinson Grimshaw Nightfall Down the Thames oil painting artist

Nightfall Down the Thames
Painting ID::  1844
Atkinson Grimshaw2.jpg
 


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Atkinson Grimshaw Nightfall Down the Thames oil painting artist


Atkinson Grimshaw Nightfall Down the Thames oil painting artist

Nightfall Down the Thames
Painting ID::  1845
Atkinson Grimshaw3.jpg
 
1880 Leeds City Art Gallery

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Atkinson Grimshaw London Bridge, Half Tide oil painting artist


Atkinson Grimshaw London Bridge, Half Tide oil painting artist

London Bridge, Half Tide
Painting ID::  1846
Atkinson Grimshaw4.jpg
 
1884 Oil on canvas 22.05 x 35.83 in

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Atkinson Grimshaw Greenock Dock oil painting artist


Atkinson Grimshaw Greenock Dock oil painting artist

Greenock Dock
Painting ID::  1847
Atkinson Grimshaw5.jpg
 
Oil on canvas 11.50 x 17.52 in

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